Journal.

01

Juergen Teller photographs Louise Trotter’s Winter 2026 collection in Milan. An enormous woven bag and an everyday gesture become the centre of one portrait.

02

Miniature monitors, mice and furniture become footwear components in a Yahoo partnership. Early internet nostalgia takes a surprisingly physical form.

03

For Fall 26, an everyday appliance becomes a sneaker platform. Rochat explicitly credits practical effects for the work.

04

Anonymity turns the house’s interest in anonymity into the plot of a Fall–Winter 26–27 campaign thriller.

The makeup campaign lets colour travel beyond the lips into clothing, space and the actor’s gestures.

Haider Ackermann and Stuart Winecoff build the campaign around proximity, contrasting textures and individual presence.

07

Johan Renck’s film places Moss at a microphone lip-syncing Wicked Game. The campaign unfolds through a room’s gradual awakening.

08

The Black Orchid presentation brings several bodysuit views together on white. Minimal scenery makes the construction immediately legible.

09

Glass, halftone, ASCII and more appear in Adriana Bubori’s selection. A ribbed-glass portrait shows how the treatment can become the subject.

10

An AI artwork referencing Higgsfield uses exaggerated shoulders and angular trousers to change the logic of a fashion portrait.

Pierpaolo Piccioli combines technical fabrics with the silhouettes of Body & Being. Comfort becomes part of the house’s vocabulary.

Evgeny Dyuzhakin’s campaign turns mirrored lenses and cool portraits into a speculative world around an existing product.

13

Peach hair, blue sky and a quiet silhouette turn a portrait into a study of movement.

A backstage post credited to fakebible_3b combines an unusual portrait with an invitation to become a model.